{"id":360,"date":"2017-07-14T13:13:03","date_gmt":"2017-07-14T12:13:03","guid":{"rendered":"https:\/\/www.kanarchoad.com\/?page_id=360"},"modified":"2020-11-17T19:57:24","modified_gmt":"2020-11-17T18:57:24","slug":"choisir-son-didgeridoo","status":"publish","type":"page","link":"https:\/\/www.kanarchoad.com\/fr\/instruments\/choisir-son-didgeridoo\/","title":{"rendered":"Comment choisir son didgeridoo"},"content":{"rendered":"

[et_pb_section fb_built=\u00a0\u00bb1″ admin_label=\u00a0\u00bbsection\u00a0\u00bb _builder_version=\u00a0\u00bb3.22″][et_pb_row admin_label=\u00a0\u00bbrow\u00a0\u00bb _builder_version=\u00a0\u00bb3.25″ background_size=\u00a0\u00bbinitial\u00a0\u00bb background_position=\u00a0\u00bbtop_left\u00a0\u00bb background_repeat=\u00a0\u00bbrepeat\u00a0\u00bb][et_pb_column type=\u00a0\u00bb4_4″ _builder_version=\u00a0\u00bb3.25″ custom_padding=\u00a0\u00bb|||\u00a0\u00bb custom_padding__hover=\u00a0\u00bb|||\u00a0\u00bb][et_pb_text admin_label=\u00a0\u00bbText\u00a0\u00bb _builder_version=\u00a0\u00bb3.27.4″ background_size=\u00a0\u00bbinitial\u00a0\u00bb background_position=\u00a0\u00bbtop_left\u00a0\u00bb background_repeat=\u00a0\u00bbrepeat\u00a0\u00bb]<\/p>\n

QUALITE DU TIMBRE<\/h3>\n

 <\/p>\n\n\n\n\n\n\n\n\n\n\n
Mod\u00e8le<\/td>\nHarmonique<\/td>\nRondeur<\/td>\nClart\u00e9<\/td>\nPuissance<\/td>\nBasse<\/td>\n<\/tr>\n<\/thead>\n
Quarte Octave<\/td>\n++<\/td>\n+<\/td>\n+<\/td>\n<\/td>\n<\/td>\n<\/tr>\n
Tierce Octave<\/td>\n++<\/td>\n+<\/td>\n+<\/td>\n+<\/td>\n+<\/td>\n<\/tr>\n
Seconde<\/td>\n++<\/td>\n+<\/td>\n+<\/td>\n+<\/td>\n+<\/td>\n<\/tr>\n
Octave<\/td>\n+<\/td>\n<\/td>\n<\/td>\n++<\/td>\n++<\/td>\n<\/tr>\n
Octave Quinte<\/td>\n<\/td>\n<\/td>\n<\/td>\n++<\/td>\n++<\/td>\n<\/tr>\n
Double Octave<\/td>\n++<\/td>\n<\/td>\n++<\/td>\n++<\/td>\n+<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n

 <\/p>\n

DYNAMIQUE DE JEU<\/h3>\n

 <\/p>\n\n\n\n\n\n\n\n\n\n\n
Mod\u00e8le<\/td>\nM\u00e9ditatif<\/td>\nRythmique<\/td>\nFluidit\u00e9<\/td>\nPression<\/td>\nR\u00e9sonance<\/td>\nProjection<\/td>\n<\/tr>\n<\/thead>\n
Quarte Octave<\/td>\n+<\/td>\n<\/td>\n+<\/td>\n<\/td>\n+<\/td>\n<\/td>\n<\/tr>\n
Tierce Octave<\/td>\n+<\/td>\n+<\/td>\n++<\/td>\n<\/td>\n+<\/td>\n<\/td>\n<\/tr>\n
Seconde<\/td>\n+<\/td>\n+<\/td>\n++<\/td>\n<\/td>\n+<\/td>\n<\/td>\n<\/tr>\n
Octave<\/td>\n<\/td>\n++<\/td>\n<\/td>\n+<\/td>\n<\/td>\n+<\/td>\n<\/tr>\n
Octave Quinte<\/td>\n<\/td>\n++<\/td>\n<\/td>\n+<\/td>\n<\/td>\n+<\/td>\n<\/tr>\n
Double Octave<\/td>\n+<\/td>\n++<\/td>\n<\/td>\n++<\/td>\n<\/td>\n+<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n

 <\/p>\n

FORME DE LA PERCE<\/h3>\n

 <\/p>\n\n\n\n\n\n
<\/td>\nQuarte Octave<\/td>\nTierce Octave<\/td>\nSeconde<\/td>\nOctave<\/td>\nOctave Quinte<\/td>\nDouble Octave<\/td>\n<\/tr>\n<\/thead>\n
Forme de la perce<\/td>\nQuasi Cylindrique<\/td>\nL\u00e9g\u00e8rement Conique<\/td>\nL\u00e9g\u00e8rement Conique<\/td>\nCylindro-conique<\/td>\nCylindro-conique<\/td>\nBoule de r\u00e9sonance<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n

 <\/p>\n

DIAMETRE DE LA COLONNE D\u2019AIR APRES L\u2019EMBOUCHURE<\/h3>\n

 <\/p>\n\n\n\n\n\n\n\n
<\/td>\nHarmoniques<\/td>\nPr\u00e9cision<\/td>\nRondeur<\/td>\nR\u00e9sonance<\/td>\nPression<\/td>\n<\/tr>\n<\/thead>\n
< 36 mm<\/td>\n<\/td>\n++<\/td>\n<\/td>\n<\/td>\n++<\/td>\n<\/tr>\n
36 \u2013 45 mm<\/td>\n+<\/td>\n+<\/td>\n+<\/td>\n+<\/td>\n+<\/td>\n<\/tr>\n
> 45 mm<\/td>\n++<\/td>\n<\/td>\n++<\/td>\n++<\/td>\n<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n

< Retour \u00e0 la fiche du Didgeridoo<\/a>[\/et_pb_text][\/et_pb_column][\/et_pb_row][\/et_pb_section]<\/p>\n","protected":false},"excerpt":{"rendered":"

QUALITE DU TIMBRE   Mod\u00e8le Harmonique Rondeur Clart\u00e9 Puissance Basse Quarte Octave ++ + + Tierce Octave ++ + + + + Seconde ++ + + + + Octave + ++ ++ Octave Quinte ++ ++ Double Octave ++ ++ ++ +   DYNAMIQUE DE JEU   Mod\u00e8le M\u00e9ditatif Rythmique Fluidit\u00e9 Pression R\u00e9sonance Projection Quarte […]<\/p>\n","protected":false},"author":1,"featured_media":0,"parent":7,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"","meta":{"_et_pb_use_builder":"on","_et_pb_old_content":"

QUALITE DU TIMBRE<\/h3>\r\n \r\n\r\n\r\n\r\n\r\n\r\n\r\n\r\n\r\n\r\n\r\n
Mod\u00e8le<\/td>\r\nHarmonique<\/td>\r\nRondeur<\/td>\r\nClart\u00e9<\/td>\r\nPuissance<\/td>\r\nBasse<\/td>\r\n<\/tr>\r\n<\/thead>\r\n
Quarte Octave<\/td>\r\n++<\/td>\r\n+<\/td>\r\n+<\/td>\r\n<\/td>\r\n<\/td>\r\n<\/tr>\r\n
Tierce Octave<\/td>\r\n++<\/td>\r\n+<\/td>\r\n+<\/td>\r\n+<\/td>\r\n+<\/td>\r\n<\/tr>\r\n
Seconde<\/td>\r\n++<\/td>\r\n+<\/td>\r\n+<\/td>\r\n+<\/td>\r\n+<\/td>\r\n<\/tr>\r\n
Octave<\/td>\r\n+<\/td>\r\n<\/td>\r\n<\/td>\r\n++<\/td>\r\n++<\/td>\r\n<\/tr>\r\n
Octave Quinte<\/td>\r\n<\/td>\r\n<\/td>\r\n<\/td>\r\n++<\/td>\r\n++<\/td>\r\n<\/tr>\r\n
Double Octave<\/td>\r\n++<\/td>\r\n<\/td>\r\n++<\/td>\r\n++<\/td>\r\n+<\/td>\r\n<\/tr>\r\n<\/tbody>\r\n<\/table>\r\n \r\n

DYNAMIQUE DE JEU<\/h3>\r\n \r\n\r\n\r\n\r\n\r\n\r\n\r\n\r\n\r\n\r\n\r\n
Mod\u00e8le<\/td>\r\nM\u00e9ditatif<\/td>\r\nRythmique<\/td>\r\nFluidit\u00e9<\/td>\r\nPression<\/td>\r\nR\u00e9sonance<\/td>\r\nProjection<\/td>\r\n<\/tr>\r\n<\/thead>\r\n
Quarte Octave<\/td>\r\n+<\/td>\r\n<\/td>\r\n+<\/td>\r\n<\/td>\r\n+<\/td>\r\n<\/td>\r\n<\/tr>\r\n
Tierce Octave<\/td>\r\n+<\/td>\r\n+<\/td>\r\n++<\/td>\r\n<\/td>\r\n+<\/td>\r\n<\/td>\r\n<\/tr>\r\n
Seconde<\/td>\r\n+<\/td>\r\n+<\/td>\r\n++<\/td>\r\n<\/td>\r\n+<\/td>\r\n<\/td>\r\n<\/tr>\r\n
Octave<\/td>\r\n<\/td>\r\n++<\/td>\r\n<\/td>\r\n+<\/td>\r\n<\/td>\r\n+<\/td>\r\n<\/tr>\r\n
Octave Quinte<\/td>\r\n<\/td>\r\n++<\/td>\r\n<\/td>\r\n+<\/td>\r\n<\/td>\r\n+<\/td>\r\n<\/tr>\r\n
Double Octave<\/td>\r\n+<\/td>\r\n++<\/td>\r\n<\/td>\r\n++<\/td>\r\n<\/td>\r\n+<\/td>\r\n<\/tr>\r\n<\/tbody>\r\n<\/table>\r\n \r\n

FORME DE LA PERCE<\/h3>\r\n \r\n\r\n\r\n\r\n\r\n\r\n
<\/td>\r\nQuarte Octave<\/td>\r\nTierce Octave<\/td>\r\nSeconde<\/td>\r\nOctave<\/td>\r\nOctave Quinte<\/td>\r\nDouble Octave<\/td>\r\n<\/tr>\r\n<\/thead>\r\n
Forme de la perce<\/td>\r\nQuasi Cylindrique<\/td>\r\nL\u00e9g\u00e8rement Conique<\/td>\r\nL\u00e9g\u00e8rement Conique<\/td>\r\nCylindro-conique<\/td>\r\nCylindro-conique<\/td>\r\nBoule de r\u00e9sonance<\/td>\r\n<\/tr>\r\n<\/tbody>\r\n<\/table>\r\n \r\n

DIAMETRE DE LA COLONNE D\u2019AIR APRES L\u2019EMBOUCHURE<\/h3>\r\n \r\n\r\n\r\n\r\n\r\n\r\n\r\n\r\n
<\/td>\r\nHarmoniques<\/td>\r\nPr\u00e9cision<\/td>\r\nRondeur<\/td>\r\nR\u00e9sonance<\/td>\r\nPression<\/td>\r\n<\/tr>\r\n<\/thead>\r\n
< 36 mm<\/td>\r\n<\/td>\r\n++<\/td>\r\n<\/td>\r\n<\/td>\r\n++<\/td>\r\n<\/tr>\r\n
36 \u2013 45 mm<\/td>\r\n+<\/td>\r\n+<\/td>\r\n+<\/td>\r\n+<\/td>\r\n+<\/td>\r\n<\/tr>\r\n
> 45 mm<\/td>\r\n++<\/td>\r\n<\/td>\r\n++<\/td>\r\n++<\/td>\r\n<\/td>\r\n<\/tr>\r\n<\/tbody>\r\n<\/table>\r\n\r\n
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